| millie@SVCT.org | |
| . | |
| Staff | |
| . | |
| Producers | Bruce Pember |
| Marianne Snook | |
| Joy Reynolds | |
| Director | Janell Cummings |
| Choreographers | Christine Carrilo |
| . | Liana Kishi |
| Vocal & Music Director | Alan Chipman |
| Costumers | Michelle Griffin |
| . | Adrianne Wilkinson |
| Alicia Corso | |
| Properties Manager | Lorraine Bell |
| . | |
| Cast | |
| . | |
| Millie Dillmount | Brianna Pember |
| Mugger | Tyler Oberlander |
| Jimmy Smith | Roberto Nolasco |
| Ruth | Ashleigh Perales |
| Gloria | Rebecca Reynolds |
| Rita | Emma Holm |
| Alice | Lauren DeRosa |
| Ethel Peas | Hannah Satterlee |
| Mrs Meers | Lucy Kaelin |
| Miss Dorothy Brown | Melodie Knappe |
| Ching Ho | Emily Pember |
| Bun Foo | Thanachai (Job) Kapinkan |
| Miss Flannery | Katie Bell |
| Mr Trevor Graydon | Ben Snook |
| Stenographer | Emma Holm |
| Stenographer | Lili Maupin |
| Stenographer | Briana Ordaz |
| Stenographer | Emily Pember |
| Stenographer | Hannah Satterlee |
| Stenographer | Becca Snook |
| Stenographer | Emma Squires |
| Stenographer | Hailey Venosta |
| The Pearl Lady | Emma Holm |
| Speakeasy Letch – featured dancer | Gannon Janisch |
| Policeman | Sean O’Connor |
| Muzzy Van Hossmere | Mia Veltri |
| George Gershwin | Gannon Janisch |
| Ira Gershwin | Emilio Valencia |
| Dorothy Parker | Emma Squires |
| Kenneth | Tyler Oberlander |
| Dishwasher #1 | Emilio Valencia |
| Dishwasher #2 | Tyler Oberlander |
| Dishwasher #3 | Becca Snook |
| Muzzy’s Boy | Gannon Janisch |
| Muzzy’s Boy | Paul Maack |
| Muzzy’s Boy | Sean O’Connor |
| Cora | Emma Squires |
| Daphne | Briana Ordaz |
| Lucille | Hailey Venosta |
| Mathilde | Lili Maupin |
| Female Modern, Speakeasy Dancer, Muzzy Guest | Katie Bell |
| Female Modern, Speakeasy Dancer, Sincere Trust Dancer, Muzzy Guest | Lauren DeRosa |
| Female Modern, Speakeasy Dancer, Sincere Trust Dancer, Muzzy Guest | Emma Holm |
| Male Modern, Sincere Trust Dancer, Muzzy Guest | Gannon Janisch |
| Male Modern | Thanachai Kapinkan |
| Overture NY Dancer, Male Modern, Sincere Trust Dancer, Speakeasy Dancer, Muzzy Guest | Paul Maack |
| Overture NY Dancer, Speakeasy Dancer, Muzzy Guest | Lili Maupin |
| Overture NY Dancer, Speakeasy Dancer, Sincere Trust Dancer, Muzzy Guest | Tyler Oberlander |
| Overture NY Dancer, Speakeasy Dancer, Sincere Trust Dancer, Male Modern, Muzzy Guest | Sean O’Connor |
| Overture NY Dancer, Speakeasy Dancer, Muzzy Guest | Briana Ordaz |
| Female Modern, Speakeasy Dancer | Emily Pember |
| Female Modern, Speakeasy Dancer, Sincere Trust Dancer, Muzzy Guest | Ashleigh Perales |
| Female Modern, Speakeasy Dancer, Sincere Trust Dancer, Muzzy Guest | Rebecca Reynolds |
| Overture NY Dancer, Speakeasy Dancer, Muzzy Guest, Café Society Guest | Hannah Satterlee |
| Overture NY Dancer, Bartender, Muzzy Guest | Becca Snook |
| Overture NY Dancer, Muzzy Guest | Emma Squires |
| Overture NY Dancer, Sincere Trust Dancer, Speakeasy Dancer | Emilio Valencia |
| Sincere Trust Dancer, Speakeasy Dancer, Female Modern | Mia Veltri |
| Overture NY Dancer, Speakeasy Dancer, Muzzy Guest #3, Café Society Guest | Hailey Venosta |
| The New Modern | Becca Snook |
| Mama | Liana Kishi |
Thoroughly Modern Millie
Set in New York City in 1922, Thoroughly Modern Millie tells the story of young Millie Dillmount from Kansas, who comes to New York in search of a new life for herself. Her grand plan is to find a job as a secretary for a wealthy man and then marry him. However, her plan goes completely awry. The owner of her dingy hotel kidnaps young girls to sell to the Far East, her wealthy boss is slow in proposing marriage and the man she actually falls in love with doesn’t have a dime to his name… or so he tells her.
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The winner of six Tony Awards, including Best Musical, Thoroughly Modern Millie was the 2002 season’s most awarded new show on Broadway! Based on the 1967 Academy Award-winning film, Thoroughly Modern Millie takes you back to the height of the Jazz Age in New York City, when “moderns,” including a flapper named Millie Dillmount, were bobbing their hair, raising their hemlines, entering the workforce and rewriting the rules of love. This high-spirited musical romp is a delightful valentine to the long-standing spirit of New York City and the people who seek to discover themselves there.
