Anything Goes
| Staff | |
| Producers | Grace Brawn |
| Penny Lockhart | |
| Director | Paul Myrvold |
| Musical Director | Carol Harris |
| Choreographer | Jennifer Brawn |
| Stage Manager | Jayson Stebbins |
| Rehearsal Pianist | Greg Harsh |
| Set Designer | Jennifer Brawn |
| Costume Designer | Sarah Lockhart |
| Technical Diretor | Don O’Neil |
| Light Designer | Rachelle Bursheim |
| Sound Designer | Don O’Neil |
| Properties Coordinator | Janet Espinosa |
| . | |
| Cast | |
| Elisha J. Whitney | Dick DeBolt |
| Steward | Kelly Blake |
| Reporter/Blase Divorcee | Christine McElroy |
| Camerman/2nd Sailor | Don O’Neil |
| Sir Evelyn Oakleigh | Russ Brawn |
| Mrs. Wadsworth T. Harcourt | Cheryl Witmer |
| Hope Harcourt | Alisa Dariano |
| Bishop Henry T. Dobson | Dan Walters |
| Reno Sweeney | Betsy Andrade |
| Billy Crocker | Matthew Tidwell |
| Ching/Aristocratic Auntie | Patti White |
| Ling/1st Sailor | Philip Trevino |
| Purser | Peter Mandel |
| Bonnie | Paige Adams |
| Moonface Martin | Lawrence C. Arias |
| Captain | Tony Andrade |
| Chastity (Angel) | Carrie King |
| Purity (Angel) | Stacy Stafford |
| Virtue (Angel) | Tammy Hansen |
| Charity (Angel) | Tiffany Glover |
| Pesky Brother | Alex Myrvold |
| Little Sister | Pamela Kellogg |
| Harried Mother | Susan Graeser |
| Little Rich Girl | Helen Reyes |
| Good Time Girl | April Ouellette |
| Cruise Floozie | Debi Pfeffer |
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The S.S. American, sailing from New York to England, carries an unusual group of passengers. Included amongst them are a gangster (Moonface Martin), a wealthy debutante and her mother (Hope and Evangeline Harcourt), a nightclub singer (Reno Sweeny), and a wealthy New York businessman and his stowaway assistant (Elisha Witney and Billy Crocker). It turns out that Hope is Billy’s long-lost love. Unfortunately, she is now engaged to a wealthy Englishman, Lord Evelyn Oakleigh. After a series of comedic happenings, Billy manages to win back Hope. Meanwhile, Billy’s friend, Reno, manages to seduce and win Lord Evelyn. All this happens while Moonface Martin attempts to escape the law and Hope’s mother strives to maintain her social status.
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Photos by Portraits by Rebecca